Controllerism, rooted in DJ culture, emerged from the growing use of electronic music technology in the 1970s and 80s. Early electronic musicians like Kraftwerk experimented with synthesizers and sequencers, and the invention of MIDI allowed for synchronized, live sound manipulation. In the 1990s, DJs redefined turntables as instruments, using techniques like scratching and beat juggling to remix music live. This turntablism laid the groundwork for controllerism, inspiring DJs to seek new ways to interact directly with sound.

With the rise of digital audio workstations like Ableton Live and DJ software like Traktor in the early 2000s, DJs began using MIDI controllers to manipulate sound beyond traditional decks. Innovators like Moldover and Ean Golden championed controllerism by modifying controllers and founding communities like DJ TechTools, helping DJs adopt controllers as performance instruments. By the 2010s, manufacturers like Native Instruments and Novation released controllers like Maschine and Launchpad, designed to expand creative possibilities for DJs and electronic musicians.

Controllerism has since matured, with DJs incorporating wireless and gesture-based controllers, often blending visual elements and traditional instruments into performances. This evolution has turned controllerism into a distinct art form, merging technology with live improvisation and pushing DJ performance far beyond its original boundaries.

ARKAEI, one of the most experienced figures in the controllerism scene, delivered an insightful lecture at the Sample Music Festival 2024, where he shared his passion for the art form. He also provided valuable insights into the DMC's inaugural competition for Electronic Music, which debuted later that evening.